Saddle Up Your Horses

 

Confession: I HATE NEW YEAR’S EVE.

New Year’s Eve is NOT my thing. For years I’d try to pretend that it was fun, but a while back I gave myself permission to stay home a

NEWYEARSEVEWHATEVER

nd enjoy the quiet. That was one of the best decisions I ever made. I just couldn’t handle the ‘fun pressure’ anymore. Bleh. I’m a geek. Geeks Rock.

HOWEVER:

I can totally get behind a brand new cool calendar.

A new set of color markers.

A clean slate.

Possibility.

Hope.

A whole year to make new ideas reality? Yes.

And, Beautifuls, I have NEW ideas. So, so many ideas.

 

SO LET’S DO THIS

I’m playing with my calendar and my markers, and I’m dreaming really big. I’m praying for my dreams and for yours tonight.

 

And, to quote an old favorite, SADDLE UP YOUR HORSES, WE’VE GOT A TRAIL TO BLAZE. 

 

WHAT ABOUT YOU?

What’s your big plan for next year? Come on, inspire us!
Here’s to finding True North, putting one foot in front of the other, and moving forward with a good community.

How to Win the Writing Game by William Jeanes

Here’s an article I think all writers will appreciate. Enjoy.

In Issue:  of The Saturday Evening Post

Many of you out there in this great land of ours have taken pen in hand to write in seeking the inside dope on how to write good. I’ve reached into my bag of tricks and come up with one sure-fire tip from the top: Avoid clichés like the plague.

A hearty hats off to the man or woman who gave us that pearl of wisdom. Those are, as sure as I’m sitting here, words for writers to live by.

Though I’m busier than a one-armed paperhanger, and I’ve got a lot on my plate, I’ll take time out of my busy day to clue you in about how clichés can ruin your whole day. Here are three good reasons you should give clichés a wide berth.

Many of you out there in this great land of ours have taken pen in hand to write in seeking the inside dope on how to write good. I’ve reached into my bag of tricks and come up with one sure-fire tip from the top: Avoid clichés like the plague.

A hearty hats off to the man or woman who gave us that pearl of wisdom. Those are, as sure as I’m sitting here, words for writers to live by.

Though I’m busier than a one-armed paperhanger, and I’ve got a lot on my plate, I’ll take time out of my busy day to clue you in about how clichés can ruin your whole day. Here are three good reasons you should give clichés a wide berth.

First, clichés suck the life out of those words you’ve been working overtime on, leaving your sentence without a leg to stand on, as it were.

Second, a cliché is old hat, pure and simple. People in all walks of life have heard them time and time again—more times than you can shake a stick at.

Third, if you were a fly on the wall, getting an earful of folks spewing clichés left and right, you’d fall all over yourself to bid a fond farewell to that wall and get the hell out of Dodge.

If you want to make your writing smooth as silk and solid as a rock, you must set yourself apart from the crowd. Put some distance between yourself and all those run-of-the-mill writers. Realize that you’re not your own worst enemy; the cliché gets that nod. You may work your fingers to the bone, but in the end, when your writing is clear as a bell and beautiful to gaze upon, trust me, you’ll be proud as a peacock.

Keep your nose to the grindstone, and before you know it you’ll find brand spanking new ways to put into words things you’ve kept bottled up in your heart of hearts for lo, these many years. Just a once-over-lightly look at your letters tells me that you’re dead serious about making something of yourself. I know as well as I know my own name that you’re willing to give cliché-avoidance the old college try. It’s as plain as the nose on your face, and you deserve a pat on the back. It’s only natural that you want more than anything in the world to make your colleagues so green with envy that they’ll scream bloody murder. Get with the program, and soon you’ll be in Fat City—sitting in the catbird seat, happy as a clam.

Taking a long, hard look at your questions tells me in words I can’t ignore that you’ll spare no effort to write paragraphs that light up the page like a Christmas tree.

So, how do you rid that Great American Novel, the one you’re burning the midnight oil over, of clichés? It’s as easy as falling off a log—just keep in mind the hoary old chestnut that says: If it walks like a duck, looks like a duck, and sounds like a duck, you can bet your bottom dollar it’s a duck. Stick to your guns, and you’ll have those clichés on the run before they know what’s hit them. Tell them not to let the door hit them on their way out. What crosses the mind of your average eagle-eyed editor when a cliché-laden manuscript lands on his desk? Dollars to doughnuts, he’ll get madder than a wet hen. Chances are, at the very least, he’ll tell the writer in no uncertain terms never to darken his door again.

Fighting the good fight against clichés can take the wind out of your sails on any given working day, but there’s no question in my mind that working like a dog to rid the world of clichés is taking the linguistic high road. When you get right down to brass tacks, the herculean task of wiping clichés—and the horse they rode in on—off the face of the earth is as easy as shooting fish in a barrel. But only if you adopt a take-no-prisoners approach to your work. Do that, and those hard-to-please editors will not only sing your praises, they will beat a path to your door.

About the Author

William Jeanes

William Jeanes is the former editor-in-chief and publisher of Car and Driver magazine.

Here is the link to the original article.

P.S. There’s a cliche’ contest on the host site. Maybe you’re up for the challenge?

An Appalachian in Southern California

I write this on a plane back from San Diego to Nashville. It was my first trip to San Diego, actually, and I was really looking forward to it. I’d heard so many great things about the city. (They were correct.)

SoCalI’d also been told that people in Southern California can be a bit, well, “WooWoo.” Of course, I’m Appalachian, and we have our own set of stereotypes, so I try to experience things for myself before forming impressions.

I attended a marketing conference with Marisa Murgatroyd, who was fabulous, I should add. I should also tell you, though, that I’m an introvert, and so when I’m in a large group of strangers, my inclination is to be silent. And, as a creative, I become a keen observer, and as a girl from West Virginina in SoCal for the first time, I think we might agree that I was destined to have plenty of, “Am I on hidden camera?” moments.

Here are my Top #5 Awkward SoCal Interactions:

#5  May I Take Your Order?

Me: I’d like a glass of unsweet tea.
Her: What?
Me: Unsweet tea.
Her: Do you mean iced tea?
….oh, yeah. Sweet tea is a Southern thing.

#4  You Have Sticks, We Have Leaves

Me: So was there a fire on those mountains?
Her: What?
Me: A fire, up there. ( I point up.) It looks dead.
Her (rolling her eyes in disgust): Yeah, that’s what it always looks like.

#3  The Non-Judgmental Judgmental Conversation

Me: So what do you do?
Him: I help people channel their past lives so that they can deal with the unresolved issues which are blocking their success in this life.
Me: Really?
Him: You know, past lives. Wait, you’re from the South. Don’t tell me you don’t believe in that? That would be so small minded.

#2  On Preferred Liquids

Her: Look at you, Miss I’m-Not-Hydrating!
Me: I’m not hydrating?
Her: Everyone has green tea but you.
Me: I don’t really like green tea.
Her: Oh. (horrified) You need to go to my website. I have a whole section on the benefits of green tea.
…but I don’t like it.

…and the #1 most awkward moment I encountered in SoCal:

#1  Imagine the Scariest Place You Could Be Right Now

Him: You should join us out on the green for our morning sun salutation.
Me: Is that because we’re in a Naval Training community?
Him: (Confused.)
Me: Oh, wait. You mean yoga. I was thinking about saluting…
Him: You’re SO not from here.

I suppose we’re all different, and really we’re all the same. We drink tea (unsweet, sweet, AND green), we have leaves & sticks, we think we’re correct, and we salute…or “salute.” Regardless, we have a lot to learn from each other, don’t you think?

What is one of your most awkward travel moments?

I Believe in You (Story Behind the Song)

When my beautiful friend and talented writer, Susan Gregg Gilmore, sent me an advance copy of her new novel, “The Funeral Dress,” I already knew I was going to be writing a song for the book. As I mentioned in my last post, Susan and I had talked about what a cool thing it could be, and we had heard her publisher was on board to use it to promote the book.

Just write...

Just write…

 

I admit that this is a totally fun project for me as a songwriter. I’m a great supporter of novelists, and this is a neat way for me to add to (hopefully) the promotion of one. I believe in the power of music, and I definitely love that music could be used to further Susan’s work. I thought you might be interested in hearing the song, “I Believe in You,” and knowing a little about how the song came together for me. Listen to it, and then read on for some insight into my writing process.

I broke my process down into Five Basic Steps so you could follow me. (I.Need.Structure.)

1. What I Didn’t Want

First, I decided right away what I didn’t want. I figured that if I took a few things off the table at the start, then I could get a better focus. The one thing I knew right away that I didn’t want was for the song to be a slow, sad ballad. With a title like, “The Funeral Dress,” I knew I wanted to stay away from writing a funeral dirge. (Not that there’s anything wrong with that.) So, slow songs were out.

For the sake of melodrama, I also decided not to use a minor key. (Musicians, can I get an ‘amen?’) 

Finally, I didn’t want to write the book title, “The Funeral Dress,” as a song title. I know me, and I can’t be trusted to write that closely to another writer’s title. I inevitably would have made up my own story for the title, and then the lyric wouldn’t have served Susan’s novel.

2. What I Did Want

With #1 in mind, I took some time to think about what I DID want. Right away I wanted the lyric and music to be hopeful. I suppose it is the commercial writer in me, but I thought a lot about the reader/buyer. Again, considering the novel’s title, if I were a potential buyer, I would want to have some feeling that I wasn’t signing up for a totally gut wrenching read. (I prefer to be tricked into those.)

I wanted a musical ‘feel’ that seemed inspiring. While I hadn’t read the book yet, I wanted to go into the reading of it with some sort of ‘soundtrack’ that would lift me up. So, I played around with music till I landed on something that I made me feel positive. Okay, I guess that’s just an instinctual thing, but in the end, if I’m writing it and I like it, then it’s all good, right?

3. The Easy Part

Once I had the musical soundtrack playing in my head, I finally read the novel. (Oh yeah…THAT.)

I didn’t take notes, and I didn’t worry about finding a lyric in it. I didn’t even try to remember facts or names or anything. I just read it at my own pace and when I was finished, I took a few days to see what bubbled to the top. All along, though, I did keep the ‘soundtrack’ in mind.

4. Got Questions?

After a few days of sitting with the story, some very specific questions began to form for me. So, I spent time answering my own questions.

  • What moments kept coming back to me?
  • What characters did I want to know more about?
  • What about the observers? The people in the town who weren’t mentioned in the book, but who were watching?
  • What did I think the real story here was? Was it the same story I guessed Susan intended to write?
  • What is my personal response to that story?

5. Enough Already

Finally, I started writing. I’m not going to talk about the scenes and moments (yet) that shaped the song because it might ruin your read. However, I will tell you about the small moment in the book, the moment you may not even notice, that got the whole lyric started.

Susan describes a scene when Emmalee, a new employee, is sitting at her freshly assigned sewing machine in the factory.

“From behind Emmalee, a woman half stood over the top of her machine and introduced herself as Wilma Minton. She had full cheeks and bright pink lips and eyebrows drawn on her face. The tail of her left eyebrow was smudged, and Emmalee held her hand to her mouth, careful not to snicker.”

For whatever reason, that passing moment in the novel never left me. My mind went off into a million directions when I read that small part–wonder who Wilma Minton is at home? Do I know a ‘Wilma Minton?’ Is Wilma lonely? Is she kind? Is she a gossip?  …and before I read too many more pages in the story, I decided I was going to like Wilma till she proved me wrong. And the lines in the pre-chorus of my song, “Life can break your heart, that’s the hardest part,” are totally, 100% from my first decision about Wilma Minton.

Gang, I wrote this song based on how The Funeral Dress made me feel. The overall story and not just one character or one moment.

It’s not a song for Emmalee or Kelley Faye, nor is it a song for Leona or Wilma or Easter, or any of the characters. Rather, it’s a song for all of them.

And, I suppose if I’m being honest, it’s a song for each of us who needs our own community, however disjointed or flawed or unlikely a community it is, to hold us up, too.

The Funeral Dress is available at your local bookstore, or on Amazon.com. I hope you’ll join me in supporting a fellow writer. Also, please share this post with your particular online universe–facebook, twitter, youtube, etc. However you communicate with the outside, let’s be the people who talk about art.

 

The Funeral Dress

One habit I developed a long time ago is that I write a song for nearly every book I read. I love to read, but I always used to feel guilty if I were reading and not working on a new song. (I’m so good at guilt.)FuneralDress

I remember the day I was telling my dear friend and fellow songwriter, Joel Lindsey, about it.  He said, “Belinda, it’s research. Read as much as you want because you get ideas from books.” We were at South Street Grille here in Nashville, and every time I go there I think about our conversation. I came up with the Novel Theme Song Plan out on that patio.

Fast forward many years, and many Novel Theme Songs, to summer 2013. I was invited to be on staff at the Appalachian Young Writers’ Workshop at Lincoln Memorial University, and when the director told me that Susan Gregg Gilmore would be the fiction teacher, I was stoked. I had read her first book, “Looking for Salvation at the Dairy Queen,” and loved it. Besides, I’m always fascinated with novelists; how on Earth does anyone concentrate on one thing for so long?

After a week of living in dorm rooms again, eating cafeteria food and surviving middle-of-the-night tornado warnings, Susan is officially one of my favorite humans.

 

The Cool Part

Here’s a very, very truncated version of one of our conversations:

Me: So do you have a new novel in the works? (I know writers hate this question. I asked anyway.)

Susan: Yes, it’s actually coming out in September. I’m really excited about it.

Me: Awesome. What’s it called?

Susan: The Funeral Dress.

Me: There’s song in that title.

Susan: Oh, it would be so cool if you wrote a song for the book!

Me: I’ll totally write a song for the book. (Thinking: She doesn’t know that I’m not allowed to read it if I don’t.)

And then a week later, Susan leaves me the following voice mail:
“Hey, I talked to Random House about your writing the song. They LOVE the idea! Call me.”

WHAT?

WHAT JUST HAPPENED HERE?

Gang, the Novel Theme Song has finally come into its own. And, honestly, I couldn’t be more proud of Susan and her novel. It’s so much fun for me to be able to add in even a small way to the release of, “The Funeral Dress.”

Today, I’m inviting you to check out your local bookstore (always support them first) or click here to order your copy.

And then you should write your own Novel Theme Song. You never know what could happen.

Here’s to supporting a fellow writer!

 

Full Circle Moments: Thanks, Songwriting

It’s been a terrific week around here. I’ve spent a lot of time on learning new things, and then on Saturday I spent the day in Atlanta as a guest of the NSAI (nashvillesongwriters.com) chapter. I’ve adopted them, now, so they’re stuck with me.

I spent the afternoon answering questions, introducing a cool creative exercise, and then we ended the day with a few hours of my giving on-the-spot feedback for songs the writers played me.

What no one there knew (hi, guys! ha) is that the last time I was at that church, years and years ago, I felt stupid and fat and awful and unwelcome.  I wrote about the experience here.So, when I pulled up on Saturday morning and realized where I was, the exact same place I had been so many years ago, and this day I was actually being paid to ‘do what I do really well,’ let’s just say it was one of those full-circle moments.

It’s funny how things come back around.
 
-b

How to Gain Weight and Get Dates

My friend Steve Siler over at Music for the Soul mentioned vintage weight gain ads the other day. I thought for sure he meant weight ‘loss‘ and so I googled. Sure enough, weight GAIN ads exist.

Stunning. 

Can you imagine scouring the pages of a fashion magazine and finding this? In this day and age?

I giggled when I read, “Since I gained 10 pounds this new, easy way, I have all the dates I want.”

I can think of a bunch of easy ways to gain 10 pounds. Actually, I can just ‘think’ of gaining weight and my body jumps right on board. I don’t have to ingest a thing.

I could go on to write the typical post that we would all expect here about media, gender roles and how so many times we succumb to the thin=beautiful myth.

Today, instead, I just want to give a nod to all of us who are too short, too tall, too fat, too thin, too light and too dark.  To each of us who are too eccentric, too serious, too free-spirited, too conservative, too energetic and plain ol’ too tired, here’s to us. Here’s to the perfect and imperfect, the beautifuls, the freaks, the I-don’t-knows and the I’m-just-trying-to-figure-it-out’s. 

Pull up your chair, and welcome to my table.

To our adventure,

Belinda

“Unwilling or Unable”: Soapbox Ahead

I stumbled across a website recently for a business mentor in New York City.  Let me first say that I’m sure this woman is doing good work. Her ideas have helped a few friends, and her credentials indicate that she is considered a trusted source by many successful people. I don’t doubt her results.

I stayed tuned in for a few weeks while I watched her launch a program–seems like that’s the time when coaches really start to give away the good information. (Tip.) Finally, the day came when I got the message that we’ve all seen before: This Program is for You If…

I was more interested, though, in the part that read, “This Program is Not for You If…”  

Honestly, I expected the normal stuff. This program won’t work for you if you’re not really willing to commit. This program won’t work for you if you’re a constant complainer. This program won’t work for you if you think I’m going to perform a miracle for you. Blah, blah, blah.

What I didn’t expect though, was this:

This program is not for you if you are unwilling or unable to participate in physical activity.

(Jesus, take the wheel.)

Okay, I can give you “unwilling.”
I’m having a hard time with “unable.”

I admit a bias here. I totally admit that I took this in a way it may or may not have been intended. I fully own that I’m touchy about what I read as “I don’t want to work with you if you have a physical issue.”

Why?
Because I do.
My left foot is paralyzed since birth and fused in walking position. Some people notice and some people don’t, but it doesn’t change my “unable” ranking in this woman’s program. There are just some things I’m not put here to do.

My inability to run a marathon, however, does NOT make me incapable of implementing a successful business. It also does NOT keep me from being an awesome client (not that she’ll ever find out).

And you know what? This applies to you, too.  Whatever your ‘thing’ is, you have an important message, and you can contribute very successfully.  In fact, I hope you will. I believe we’re all put here with a specific set of circumstances for our own unique purpose. 

Anyway…

I stayed way up on my soapbox about this woman’s policy for weeks.  The truth is, I can argue both sides of the coin.

On one side, shouldn’t we be allowed to work with whomever we want however we want? If I don’t want to look out at a crowd of people who don’t exercise or are unable to, then that’s my choice. It’s my life and my work.  I can set my business up however I want. “Ideal clients,” right?

On the other side, how arrogant and offensive to claim a position of leadership in this day and age while refusing to look at a complete picture of humanity. On that very fact alone, I have to question to your entire foundation. I absolutely do ask exactly who you think you are.

See? Two sides of the same coin.

The Takeaway

After thinking about this way too much, I’ve determined that for me, the takeaway here is that whether we write it on the internet in our policy or not, maybe we all have times when we choose to only see what we want to see.

How many times have we formed impressions about someone based on one small thing only to find out they were totally different than we thought? How many times have we chosen not to extend the benefit of a doubt? And with that, how many times have we not wanted to see ourselves for who we are?

Guilty

I’m certain that change happens inside us, and I believe conversation facilitates understanding.

I invite you to the conversation.

I challenge you to give someone the benefit of your doubt this week, even if it is yourself.

Don’t take the easy way out.

Dare to find someone’s unlikely story. 

Demand more of yourself.
Do let me know how it goes.
To Your Adventure,

Belinda

P.S. I was already in the planning stages of my very first L.E.A.P. Into Your Life program before this came up. L.E.A.P. is for all of us wanting to make sure we’re living our purpose. I’ll be telling you more about it in the coming weeks. For now, let me just say that people of ALL abilities will be welcome.

P.P.S.  Okay, fine…I’m still a little on the soapbox. It’s a process, gang. It’s a process. 😉

Your Fifteen Minutes: Building the Creative Foundation

Raise your hand if you’ve ever felt like there’s just not enough time in the day to pursue your creative passion.

Raise your hand if you’ve ever told yourself that it’s just a hobby so you’ll make time for it later.

Raise your hand if…well, you get the point.

When I moved to Nashville fifteen years ago, I wanted to write songs. I left behind my family, my friends and a long-term boyfriend so that I could at least say I tried. When I got here, though, I was working a brutal full-time job and trying to build a life. To be honest, I didn’t feel much like creating anything new at the end of my days.  I sure didn’t feel like sitting down at the piano after sitting in a cubicle all day.

However, I’d made a deal with myself. I would try to become a writer for one year, no matter how much I wanted to give up. About three months into the move, I realized I was just a lonely, exhausted girl with a miserable job, and I was hating everything.

Still, I’d made a deal with myself:

 One year.

Even though I didn’t feel like writing every day, I decided to do it anyway. I mean, if I was going to have to move back home with my tail tucked, I was at least going to have some new songs to show for it.

I committed to write for at least fifteen minutes, five days a week for the rest of the year. To be honest, I was probably doing that so I could say I was actually writing.  I don’t recall really thinking it would work. I was just trying to avoid self-imposed guilt for not doing the one thing I was sure I was meant to do.

I may have started that fifteen-minutes-a-day thing to prove that I was a writer (I might be a bit stubborn), but in the end, I’d developed a discipline. More importantly, I honored my Inner Creative, and when I hit the one-year mark in Nashville, moving back to West Virginia just wasn’t an option.  Things were going way too well. 

I wasn’t just dreaming about writing songs anymore.

I was writing them.

Creative discipline worked, and I’m still here in Nashville all these years later. I guess you could say I built the foundation for the life I dreamed of as a kid in fifteen minutes a day. 

I wonder what would happen if you tried it, too?

Your challenge: Schedule fifteen minutes every day this week to wildly and guiltlessly pursue your creative passion. 

I challenge you to COMMIT!

To Your Adventure,

Belinda